La bohème tells a story of friendship, love, and youth, through the tumultuous relationships between Mimì and Rodolfo, and Marcello and Musetta. Learn more about the history and music of this fan-favorite opera in the program notes below. Learn...
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By the Ellie Caulkins General & Artistic Director Greg Carpenter The summer is always a busy time of year, as we put the finishing touches on the season we will launch in November and begin the planning and budgeting...
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Daughter of the Regiment explores themes of sacrifice, masculinity, and community. Chía Patiño, Director for our November production of Daughter of the Regiment, leans into these themes in her interpretation of the light-hearted tale of choosing love over duty. Explore...
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Daughter of the Regiment tells the story of a young woman raised by the Twenty-first French Regiment. When she falls in love with an outsider, new surprises reveal themselves. Learn more about the history, music, and critical reception of Donizetti’s...
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Samson and Delilah is a tale that has seen many iterations. It originated in the bible and has made its way into fine art and music. Each time, a unique take adds to the presentation of the story. Our...
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There is a lot of history and iconic imagery that goes hand in hand with Samson and Delilah. Learn more about this biblical story’s transition to an opera featuring some of the most lush and passionate music in the...
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The Flying Dutchman premiered over 180 years ago on January 2, 1843 at the Königliches Hoftheater in Dresden. Despite its age, this opera still has many relevant themes, including community, family, love, and sacrifice. It is up to the...
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By: Betsy Schwarm Richard Wagner was a master of both music and story, which you will see well-reflected in his work The Flying Dutchman. To learn the full story of the opera, check out The Flying Dutchman 101: Characters...
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By the Ellie Caulkins General & Artistic Director Greg Carpenter The holiday season is the perfect time to slow down a bit and look back on all we accomplished over the past calendar year. Let’s reflect on all Opera...
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Where would opera be without those characters we love to hate? It’s a time-honored role, their detestable qualities neatly counterpointing the likable ones who are the other half of the equation. The womanizing Don Giovanni isn’t a good guy,...
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