Blog

The Voice of Opera Colorado

Dec28

American Song: Time Program Notes

By: Angelica DiIorio Have you ever looked through old photos and had all the memories rush back to you? For just a second, you have been transported through time back to that exact moment. Time passes for everyone, but...

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Dec19

Die tote Stadt (The Dead City) 101 – Plot

By: Bethany Wood and Angelica DiIorio Korngold’s early twentieth-century masterpiece Die tote Stadt (The Dead City) may not be as familiar as some of the other operas in our 40th Anniversary Season, but it will quickly become one of...

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Dec2

The Music of Die tote Stadt (The Dead City)

By: Jennifer Colgan Paul is a widowed artist who is grieving the death of his wife, Marie. Even the city he lives in—Bruges—haunts him.  Life is turned upside down when Paul meets the bright and passionate Marietta, the mirror...

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Nov3

Q & A with Director Christopher Mattaliano

By: Suzanne Whitney Christopher Mattaliano has worn many hats throughout his career—from stage director, to educator, to artistic director for opera companies and music festivals, to a member of Opera America’s Board of Directors. Throughout all aspects of his...

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Oct25

Rigoletto in Pop Culture

By: Jennifer Colgan Some of the best-known opera arias have made their way into movies, commercials, video games, and more, hundreds of years after the composer set their pen to paper. Have you ever wondered what causes some opera...

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Oct13

OC Stories—Mike Griebl Scenic Supervisor

By: Angelica DiIorio Neither snow nor rain nor heat has kept Scenic Supervisor Mike Griebl from ensuring the sets of Rigoletto are ready for opening night. In a career spanning more than twenty years, Mr. Griebl has supervised the...

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Oct11

Rigoletto Was a Banned Book

By: Angelica DiIorio and Bethany Wood Art and literature can be very provocative. The arts can challenge people to look at the world around them in new ways and ask questions. While this very trait is what makes art...

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Oct6

Rigoletto 101—Musical Style

By: Betsy Schwarm Many performing arts fans are familiar with the tales of Victor Hugo (1802 – 1885). From Les Miserables to The Hunchback of Notre Dame to Le roi s’amuse (The King’s Diversions), the stories are well-known. If...

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